瓦拉纳西河坛双时间线倒影场景

一幅细致入微的夜景，描绘了傍晚时分 {argument name="location_en" default="瓦拉纳西河坛"} 的夜祭仪式，从 {argument name="river_name_en" default="恒河"} 对岸的视角拍摄。图像上半部分展示了当今的城市：人群聚集在台阶上，祭司们手持巨大的火焰灯同步进行夜祭，阳台上挂着电灯，寺庙外墙经过了近期翻修，新旧建筑与现代招牌交织。火光和零星的油灯照亮了河坛上方袅袅升起的烟雾。下半部分，在 {argument name="river_name_en" default="恒河"} 平静的水面上完美地呈现为一面镜子，展示了相同的河坛，但处于更古老的历史时期。倒影必须描绘出细微的建筑差异：更少的电灯和更多的油灯，未经现代修复的饱经风霜的石面，设计更古老的木船，穿着符合时代服饰的人们，以及早期结构形式的寺庙塔楼。水面应该如玻璃般平静，几乎没有扭曲，使两个时间线精确对齐，如同一个分裂的现实。光线、涟漪和倒影必须遵循真实的物理规律，同时保持两个世纪并存的幻觉。最终效果应像一张照片，捕捉到上方是现在，下方是过去，由河流的镜面将两者连接在一起。

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**Original English:**
a richly detailed night scene of the {argument name="location" default="varanasi ghats"} during the evening aarti, captured from a viewpoint directly across the {argument name="river_name" default="ganges"}. the top half of the image shows the present-day city: crowds gathered on the steps, priests performing synchronized aarti with large flaming lamps, electric lights strung across balconies, recent renovations on temple facades, and the mix of old structures with modern signage. firelight and scattered diyas illuminate the smoke drifting softly above the ghats.the bottom half, seen as a perfect mirror on the still surface of the {argument name="river_name" default="ganges"}, shows the same ghats but in an older historical era. the reflection must depict subtle architectural differences: fewer electric lights, oil lamps instead; weathered stone surfaces without modern repairs; wooden boats of older design; people in period-accurate clothing; and temple towers in their earlier structural forms. the water should be glassy, with minimal distortion, allowing both timelines to align precisely like a split reality. lighting, ripples, and reflections must follow correct physics while maintaining the illusion of two coexisting centuries. the result should feel like a single photograph capturing present above and past below, bound together by the river’s mirror.