江户时代浮世绘风格的现代场景再现
Author:VoxcatAI
2026/01/05 09:12
Description
创作江户时代浮世绘风格的现代场景,融合传统木版画技巧和当代元素
Tags
图像生成视觉化内容生成
Content
一幅日本江户时代的浮世绘木版画。整体感觉是葛饰北斋和歌川广重等大师的超现实合作,通过古老的视角重新构想现代科技。
**场景:** {argument name="modern scene" default="繁忙的涩谷十字路口"}
**江户时代转换逻辑:**
人物身着江户时代的和服,但进行着现代活动。所有科技都被转化为超现实的江户时代等效物:
* 智能手机是发光的、精心绘制的纸质卷轴,人们正聚精会神地阅读。
* 地铁站和火车是巨大的铰接式木制蜈蚣车厢,在人群中穿梭。
* 摩天大楼被重新构想成无尽的、高耸入云的木制宝塔,直插戏剧性的云层。
* 机器人和机甲则以巨大的、身披盔甲的木版傀儡形象出现。
构图采用扁平透视,带有粗大、醒目的手刻墨线轮廓。背景是高度风格化的浮世绘波浪图案和戏剧性的漩涡状云朵,远处地平线上可见富士山。
图像必须看起来像一幅实物版画,而非数字绘画。
* 纹理:整个作品中都有清晰可见的木纹纹理和粗糙的纸纤维。
* 印刷缺陷:颜料渗色明显。模拟手工压制版画,带有轻微的颜色错位,以增加真实感。
* 色彩调色板:严格限于传统的矿物颜料,主要使用普鲁士蓝、朱红色和柔和的赭黄色。
* 光照:柔和、平坦、无阴影的光照,没有数字渐变。
宽高比为 3:4 的竖向海报。包含描述场景的竖排日文书法,并在一个角落有一个传统的红色艺术家印章。
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**Original English:**
A Japanese Edo-period Ukiyo-e woodblock print (浮世絵 木版画). The overall feeling is a surreal collaboration between masters like Hokusai and Hiroshige, reimagining modern technology through an ancient lens.
**The Scene:** {argument name="现代场景" default="繁忙的涩谷十字路口"}
**Edo Transformation Logic:**
Characters wear Edo-era kimono but perform modern actions. All technology is transformed into surreal Edo equivalents:
* **Smartphones** are glowing, illustrated paper scrolls being read intently.
* **Metro stations/Trains** are giant articulated wooden centipede carriages shuffling through crowds.
* **Skyscrapers** are reimagined as endless, towering wooden pagodas reaching into dramatic clouds.
* **Robots/Mecha** appear as giant, armored woodblock golems.
The composition uses a flattened perspective with large, bold, hand-carved ink outlines (太い墨線). The background features heavily stylized Ukiyo-e wave patterns and dramatic, swirling clouds, with a distant Mt. Fuji visible on the horizon.
The image must look like a physical print, not a digital painting.
* **Texture:** Strong visible wood grain texture (木目) and rough paper fibers throughout the piece.
* **Printing Imperfections:** Pigment bleeding is evident. Crucially, simulate hand-pressed plates with slight **color misalignment (版ズレ)** for authenticity.
* **Color Palette:** Strictly limited to traditional mineral pigments. Dominant use of Prussian blue (浮世絵ブルー), vermilion red, and muted yellow ochre.
* **Lighting:** Soft, flat, shadow-free lighting with no digital gradients.
* **Aspect Ratio:** 3:4 vertical poster.
* **Extras:** Include vertical Japanese calligraphy describing the scene and a traditional red artist seal stamp (落款) in a corner.